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Raupyapīṭha Kṛṣṇāṣṭakam

Kannada lyrics with meaning · composed by Śrī Vādirāja Tīrtha · stotra · 10 verses

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Also available in: DevanagariRoman (IAST)

ಶ್ರೀಕೃಷ್ಣಾಷ್ಟಕಂ

ಶ್ರೀಕೃಷ್ಣಾಷ್ಟಕಂ
śrīkṛṣṇāṣṭakam
Śrī Kṛṣṇāṣṭakam of the Silver Pedestal — eight ornate verses by Vādirāja Tīrtha in praise of Kṛṣṇa enshrined on the silver pedestal at Udupi, each closing with a salute to 'Hari who has made the silver pedestal His abode.'

Verse 2 — ಪಾಲಯಾಚ್ಯುತ ಪಾಲಯಾಜಿತ ಪಾಲಯ ಕಮಲಾಲಯ । ಲೀಲಯಾ…

ಪಾಲಯಾಚ್ಯುತ ಪಾಲಯಾಜಿತ ಪಾಲಯ ಕಮಲಾಲಯ ।
ಲೀಲಯಾ ಧೃತಭೂಧರಾಂಬುರುಹೋದರ ಸ್ವಜನೋದರ ॥
pālayācyuta pālayājita pālaya kamalālaya |
līlayā dhṛtabhūdharāmburuhodara svajanodara ||
Protect me, O Acyuta! Protect me, O unconquered One! Protect me, O abode of Lakṣmī, who in play upheld the mountain, O lotus-navelled cherisher of Your own people!

Verse 3 — ಮಧ್ವಮಾನಸಪದ್ಮಭಾನುಸಮಂ ಸ್ಮರಪ್ರತಿಮಂ ಸ್ಮರ…

ಮಧ್ವಮಾನಸಪದ್ಮಭಾನುಸಮಂ ಸ್ಮರಪ್ರತಿಮಂ ಸ್ಮರ ಸ್ನಿಗ್ಧನಿರ್ಮಲಶೀತಕಾಂತಿಲಸನ್ಮುಖಂ ಕರುಣೋನ್ಮುಖಂ ।
ಹೃದ್ಯಕಂಬುಸಮಾನಕಂಧರಮಕ್ಷಯಂ ದುರಿತಕ್ಷಯಂ ಚಿತ್ತ ಸಂಸ್ತುತರೌಪ್ಯಪೀಠಕೃತಾಲಯಂ ಹರಿಮಾಲಯಂ ॥
madhvamānasapadmabhānusamaṃ smarapratimaṃ smara snigdhanirmalaśītakāntilasanmukhaṃ karuṇonmukham |
hṛdyakambusamānakandharamakṣayaṃ duritakṣayaṃ citta saṃstutaraupyapīṭhakṛtālayaṃ harimālayam ||
Like a sun to the lotus of Madhva's mind, matchless as the God of love — remember Him, O mind: His face tender, spotless, cool and radiant as the moon, ever bent in compassion, His neck lovely as a conch, the imperishable dispeller of sin — Hari who has made the silver pedestal His abode, the refuge of all.

Verse 4 — ಅಂಗದಾದಿಸುಶೋಭಿಪಾಣಿಯುಗೇನ ಸಂಕ್ಷುಭಿತೈನಸಂ…

ಅಂಗದಾದಿಸುಶೋಭಿಪಾಣಿಯುಗೇನ ಸಂಕ್ಷುಭಿತೈನಸಂ ತುಂಗಮಾಲ್ಯಮಣೀಂದ್ರಹಾರಸರೋರಸಂ ಖಲನೀರಸಂ ।
ಮಂಗಲಪ್ರದಮಂಥದಾಮವಿರಾಜಿತಂ ಭಜತಾಜಿತಂ ತಂ ಗೃಣೇ ವರರೌಪ್ಯಪೀಠಕೃತಾಲಯಂ ಹರಿಮಾಲಯಂ ॥
aṅgadādisuśobhipāṇiyugena saṃkṣubhitainasaṃ tuṅgamālyamaṇīndrahārasarorasaṃ khalanīrasam |
maṅgalapradamanthadāmavirājitaṃ bhajatājitaṃ taṃ gṛṇe vararaupyapīṭhakṛtālayaṃ harimālayam ||
With arm-bands and lovely hands that shake away (devotees') sins, wearing a tall garland strung with the king of gems, moist with grace yet unmoved by the wicked, radiant with the auspicious churning-cord — extol Him, the unconquered! Him I sing: Hari who has made the blessed silver pedestal His abode, the refuge of all.

Verse 5 — ಪೀನರಮ್ಯತನೂದರಂ ಭಜ ಹೇ ಮನಃ ಶುಭಹೇಮ ನಃ…

ಪೀನರಮ್ಯತನೂದರಂ ಭಜ ಹೇ ಮನಃ ಶುಭಹೇಮ ನಃ ಸ್ವಾನುಭಾವನಿದರ್ಶನಾಯ ದಿಶಂತಮರ್ಥಿಸುಶಂತಮಂ ।
ಆನತೋಽಸ್ಮಿ ನಿಜಾರ್ಜುನಪ್ರಿಯಸಾಧಕಂ ಖಲಬಾಧಕಂ ಹೀನತೋಜ್ಝಿತರೌಪ್ಯಪೀಠಕೃತಾಲಯಂ ಹರಿಮಾಲಯಂ ॥
pīnaramyatanūdaraṃ bhaja he manaḥ śubhahema naḥ svānubhāvanidarśanāya diśantamarthisuśantamam |
ānato'smi nijārjunapriyasādhakaṃ khalabādhakaṃ hīnatojjhitaraupyapīṭhakṛtālayaṃ harimālayam ||
Adore His full and lovely form, O mind — our very gold! — who grants the vision of Self-knowledge to those who long for it, the most serene; I bow to Him, fulfiller of His dear Arjuna's aims, thwarter of the wicked — Hari who has made the humble-uplifting silver pedestal His abode, the refuge of all.

Verse 6 — ಹೈಮಕಿಂಕಿಣಿಮಾಲಿಕಾರಶನಾಂಚಿತಂ ತಮವಂಚಿತಂ…

ಹೈಮಕಿಂಕಿಣಿಮಾಲಿಕಾರಶನಾಂಚಿತಂ ತಮವಂಚಿತಂ ರತ್ನಕಾಂಚನವಸ್ತ್ರಚಿತ್ರಕಟಿಂ ಘನಪ್ರಭಯಾ ಘನಂ ।
ಕಮ್ರನಾಗಕರೋಪಮೂರುಮನಾಮಯಂ ಶುಭಧೀಮಯಂ ನೌಮ್ಯಹಂ ವರರೌಪ್ಯಪೀಠಕೃತಾಲಯಂ ಹರಿಮಾಲಯಂ ॥
haimakiṅkiṇimālikāraśanāñcitaṃ tamavañcitaṃ ratnakāñcanavastracitrakaṭiṃ ghanaprabhayā ghanam |
kamranāgakaropamūrumanāmayaṃ śubhadhīmayaṃ naumyahaṃ vararaupyapīṭhakṛtālayaṃ harimālayam ||
Girt with a golden girdle of tinkling bells, ever true, His waist bright with gem-and-gold brocade, thick with splendour, His graceful thighs lovely as the elephant's trunk, free of every flaw, all-auspicious of heart — Him I praise: Hari who has made the noble silver pedestal His abode, the refuge of all.

Verse 7 — ವೃತ್ತಜಾನುಮನೋಜ್ಞಜಂಘಮಮೋಹದಂ ಪರಮೋಹದಂ…

ವೃತ್ತಜಾನುಮನೋಜ್ಞಜಂಘಮಮೋಹದಂ ಪರಮೋಹದಂ ರತ್ನಕಲ್ಪನಖತ್ವಿಷಾ ಹೃತಹೃತ್ತಮಃಸ್ತತಿಮುತ್ತಮಂ ।
ಪ್ರತ್ಯಹಂ ರಚಿತಾರ್ಚನಂ ರಮಯಾ ಸ್ವಯಾಗತಯಾ ಸ್ವಯಂ ಚಿತ್ತ ಚಿಂತಯ ರೌಪ್ಯಪೀಠಕೃತಾಲಯಂ ಹರಿಮಾಲಯಂ ॥
vṛttajānumanojñajaṅghamamohadaṃ paramohadaṃ ratnakalpanakhatviṣā hṛtahṛttamaḥstatimuttamam |
pratyahaṃ racitārcanaṃ ramayā svayāgatayā svayaṃ citta cintaya raupyapīṭhakṛtālayaṃ harimālayam ||
His rounded knees and shapely calves enchant and destroy delusion; by the lustre of His jewel-like nails He steals away the darkness of the heart — the highest One, worshipped each day by Lakṣmī who comes to Him of her own accord. O mind, contemplate Hari who has made the silver pedestal His abode, the refuge of all.

Verse 8 — ಚಾರುಪಾದಸರೋಜಯುಗ್ಮರುಚಾಮರೋಚ್ಚಯಚಾಮರೋದಾರಮೂರ್ಧಜಭಾರಮಂಡಲ…

ಚಾರುಪಾದಸರೋಜಯುಗ್ಮರುಚಾಮರೋಚ್ಚಯಚಾಮರೋದಾರಮೂರ್ಧಜಭಾರಮಂಡಲರಂಜಕಂ ಕಲಿಭಂಜಕಂ ।
ವೀರತೋಚಿತಭೂಷಣಂ ವರನೂಪುರಂ ಸ್ವತನೂಪುರಂ ಧಾರಯಾತ್ಮನಿ ರೌಪ್ಯಪೀಠಕೃತಾಲಯಂ ಹರಿಮಾಲಯಂ ॥
cārupādasarojayugmarucāmaroccayacāmarodāramūrdhajabhāramaṇḍalarañjakaṃ kalibhañjakam |
vīratocitabhūṣaṇaṃ varanūpuraṃ svatanūpuraṃ dhārayātmani raupyapīṭhakṛtālayaṃ harimālayam ||
Radiant with the beauty of His two lotus-feet, His flowing locks delighting all, the breaker of the Kali age; adorned with ornaments befitting a hero, His own anklets ringing — hold Him within yourself: Hari who has made the silver pedestal His abode, the refuge of all.

Verse 9 — ಶುಷ್ಕವಾದಿಮನೋತಿದೂರತರಾಗಮೋತ್ಸವದಾಗಮಂ…

ಶುಷ್ಕವಾದಿಮನೋತಿದೂರತರಾಗಮೋತ್ಸವದಾಗಮಂ ಸತ್ಕವೀಂದ್ರವಚೋವಿಲಾಸಮಹೋದಯಂ ಮಹಿತೋದಯಂ ।
ಲಕ್ಷಯಾಮಿ ಯತೀಶ್ವರೈಃ ಕೃತಪೂಜನಂ ಗುಣಭಾಜನಂ ಧಿಕ್ಕೃತೋಪಮರೌಪ್ಯಪೀಠಕೃತಾಲಯಂ ಹರಿಮಾಲಯಂ ॥
śuṣkavādimanotidūratarāgamotsavadāgamaṃ satkavīndravacovilāsamahodayaṃ mahitodayam |
lakṣayāmi yatīśvaraiḥ kṛtapūjanaṃ guṇabhājanaṃ dhikkṛtopamaraupyapīṭhakṛtālayaṃ harimālayam ||
Far beyond the reach of dry disputants, a festival of blissful revelation, the great dawn of the play of noble poets' speech, of exalted majesty — Him I behold, worshipped by the lords of ascetics, the vessel of all virtues, beyond all comparison — Hari who has made the silver pedestal His abode, the refuge of all.

Verse 10 — ನಾರದಪ್ರಿಯಮಾವಿಶಾಂಬುರುಹೇಕ್ಷಣಂ ನಿಜರಕ್ಷಣಂ…

ನಾರದಪ್ರಿಯಮಾವಿಶಾಂಬುರುಹೇಕ್ಷಣಂ ನಿಜರಕ್ಷಣಂ ತಾರಕೋಪಮಚಾರುದೀಪಚಯಾಂತರೇ ಗತಚಿಂತ ರೇ ।
ಧೀರ ಮಾನಸ ಪೂರ್ಣಚಂದ್ರಸಮಾನಮಚ್ಯುತಮಾನಮ ದ್ವಾರಕೋಪಮರೌಪ್ಯಪೀಠಕೃತಾಲಯಂ ಹರಿಮಾಲಯಂ ॥
nāradapriyamāviśāmburuhekṣaṇaṃ nijarakṣaṇaṃ tārakopamacārudīpacayāntare gatacinta re |
dhīra mānasa pūrṇacandrasamānamacyutamānama dvārakopamaraupyapīṭhakṛtālayaṃ harimālayam ||
Dear to Nārada, lotus-eyed, protector of His own, seated amid a cluster of lamps lovely as stars — O restless one, be still! O steadfast mind, worship Him, serene as the full moon, the unfallen, worthy of all honour — Hari of Dvārakā-like glory who has made the silver pedestal His abode, the refuge of all.

Verse 11 — ರೌಪ್ಯಪೀಠಕೃತಾಲಯಸ್ಯ ಹರೇಃ ಪ್ರಿಯಂ ದುರಿತಾಪ್ರಿಯಂ…

ರೌಪ್ಯಪೀಠಕೃತಾಲಯಸ್ಯ ಹರೇಃ ಪ್ರಿಯಂ ದುರಿತಾಪ್ರಿಯಂ ತತ್ಪದಾರ್ಚಕವಾದಿರಾಜಯತೀರಿತಂ ಗುಣಪೂರಿತಂ ।
ಗೋಪ್ಯಮಷ್ಟಕಮೇತದುಚ್ಚಮುದೇ ಮಮಾಸ್ತ್ವಿಹ ನಿರ್ಮಮ ಪ್ರಾಪ್ಯಶುದ್ಧಫಲಾಯ ತತ್ರ ಸುಕೋಮಲಂ ಹತಧೀಮಲಂ ॥
raupyapīṭhakṛtālayasya hareḥ priyaṃ duritāpriyaṃ tatpadārcakavādirājayatīritaṃ guṇapūritam |
gopyamaṣṭakametaduccamude mamāstviha nirmama prāpyaśuddhaphalāya tatra sukomalaṃ hatadhīmalam ||
This lofty, secret hymn — dear to Hari of the silver pedestal, foe of all sin, uttered by Vādirāja Yati, worshipper at His feet, and brimming with His glory — may it be, here, for my joy, O selfless Lord, and through Your grace yield its pure and tender fruit, wiping away the stain of the mind. (phalaśruti)

About Raupyapīṭha Kṛṣṇāṣṭakam

Raupyapīṭha Kṛṣṇāṣṭakam is a Sanskrit stotra, composed by Śrī Vādirāja Tīrtha, addressed to Krishna — a Ashtakam. It is presented here in Devanagari, Roman (IAST), Kannada, each verse with its English meaning. Source text: sanskritdocuments.org.

A revered Mādhwa saint and pontiff of Sode, and a prolific poet-scholar renowned for works such as the Daśāvatāra Stuti and Lakṣmī Śobhāne.

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Frequently asked questions

What is Raupyapīṭha Kṛṣṇāṣṭakam and what does it mean?

Raupyapīṭha Kṛṣṇāṣṭakam is a Sanskrit stotra (devotional hymn), composed by Śrī Vādirāja Tīrtha, addressed to Krishna, of 10 verses. On Avabodhak every verse is shown with its English meaning, so you can understand the text line by line as you read.

How do I pronounce Raupyapīṭha Kṛṣṇāṣṭakam correctly?

Avabodhak presents Raupyapīṭha Kṛṣṇāṣṭakam in Devanagari, Roman (IAST), Kannada alongside IAST Roman transliteration that marks every long vowel (ā, ī, ū) and conjunct consonant. Reading the Devanagari text with the IAST line lets you follow the exact pronunciation syllable by syllable, and the guided practice mode replays it line by line.

What is the word-by-word meaning of Raupyapīṭha Kṛṣṇāṣṭakam?

Avabodhak pairs each verse of Raupyapīṭha Kṛṣṇāṣṭakam with its English meaning, and the practice view breaks lines into individual words — so you learn what each word means, not just the overall sense.

Who composed Raupyapīṭha Kṛṣṇāṣṭakam?

Raupyapīṭha Kṛṣṇāṣṭakam is attributed to Śrī Vādirāja Tīrtha.

In which scripts can I read Raupyapīṭha Kṛṣṇāṣṭakam?

Raupyapīṭha Kṛṣṇāṣṭakam is available in Devanagari, Roman (IAST), Kannada on Avabodhak, each with English meaning and IAST transliteration.

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